Book Making, General, Printing, Uncategorized

Looking and Thinking – 15th November 2021

Autumn is truly with us now as this image of standing underneath and looking skywards through our bright red Acer tree shows.

In my last blog I used the word peaceful for the book that I had just completed and looking at   the book that I finished recently that one is full of activity and variation. It is number five in the ‘Vulnerable to Alteration’ series and although I keep thinking that it is the last one of the series of unique books I don’t think that it will be as ideas keep popping up and I always like to follow an idea and being inspired as to where it takes me.

I have been playing around with folds and book shapes, I need to have a good idea of the finished book construction before I consider making a printing plate, there are considerations regarding the location and aspects of different prints/colours/ textures not to mention the various shapes and sizes  to the endthat the book can have.

So I continue to play.

This concertina with pamphlet stitched pages to both sides was in the first try too floppy, so I cut the long pages down from 15cm to 10cm and I was then content with the shapes that it made and the firmness of the construction. Will it go any further? Who knows!

I have worked my way through to the end of my books during this last couple of weeks and one has been recently added –  ‘L’art du livre origami’ by Jean-Charles Trebbi, in which I have three books featured. A lovely book to have  popped through my door.

Going through the books has been interesting, so many memories of people and events, reminders of stuff that I had forgotten and of the community of fellow embroiderers and book artists all of which brought smiles to my face.

Book Making, Printing, Uncategorized

Many Fragments – 25th October 2021

I’ve been working steadily through the weeks. no rush and enjoying every stage of making this book.

The title, “ 2020/2021 Sample Book” popped up one day, maybe from working my way through my book shelves where there are images of salesmen’s books, company ledgers and individual diaries. 

So I began to make the components.

Lots of blind prints ranging from 2 x 2cm to 5 x 2cm, all from plates constructed 2020 and 2021
Sorted into sizes
First arrangement of the fragments onto the guide that I used to place the boards to create the indents
After several rearrangements I settled on this one and the prints were glued down

Completed book
And the covers and reverse

I am pleased with the end result, it feels peaceful and relaxed in my hand and it worked out just as I had imagined it, so contentment all round. A good feeling in these trying days.

My reading books cover over 50 years of publications of embroidery books, some given to me second hand and the latest book that I have bought from a textile artist that I know.

Book Making, General, Printing

Following On – 4th October 2021

After I had allowed my prints, see my last blog, to dry I folded and/or stitched them into books.

I had been following thoughts of ‘Subject to Alteration’. These books and their printed plates were designed to have alterations from the very beginning, it wasn’t something that evolved over time it was all in one go. So a following on from ‘Vulnerable to Alteration”.

See Above for ‘Subject to Alteration I’

Number 2, with an extra layer of silver print in the centre
Number 3, with the the silver print throughout
Number 4 with the centre pages coptic stitched together

The covers were the same design but with different, painted and monoprinted papers and machine stitching.

I had always seen these books laid down on a surface, peaceful and quiet, the  covers being full of colour, but hidden at first glance.

And my reading pile, somewhat diverse this time!