Book Making, Exhibitions, Printing

Ideas a Plenty – 31st January 2022

There have been many ideas floating around my head over the last few weeks for which I am most grateful as I have two lovely events coming up in the first half of the year. They are posted on my Events page. 

Some ideas just stay mulling around in my head, some became a scribble and some make it to the planning out stage and are then discarded! So it is very pleasing when one idea passes the test and I can begin construction.

Over the years I have kept notebooks, where I stick anything that is interesting, so it has become a sort of diary and it was this page that sparked a new title. Its from August 2021, it was ‘Art in the Pen’ week and I can see business cards from other artists who were nearby. I have tended to write titles parallel to the sides, so that they stand out, and here it is ’Precious Fragments’. Not every page is a thing of beauty!

So I got to work, I needed lots of silver two centimetre blind prints, I forgot to photograph them as they came off the press, so I have arranged a few and they can be seen at the top of the page. I made 157 of them.

Here they are drying, I find that the silver ink takes a while to dry. So the book construction will have to wait a couple of weeks.

Meanwhile I have printed the plate that I was working on in my last blog which was inspired by  whitework embroidery of the late C18th and is influenced by ideas around ‘Vulnerable to Alteration’

This version shows where I have cut away the top background of the plate just leaving 6cm at the bottom.

I had some paper, several sheets 12cm square, that I wanted know how it worked being wetted and going through the press. so using a small pate and the remainder of some grey/silver ink, I printed. I like the peaceful quality, but it will take some thought to decide how, or whether I take it further.

A good thought to ponder over.

I have also updated my Sales page with some of my books from 2021, so if you are interested then do please have a look and contact me should you have any questions.

Book Making, Printing

Distractions, Distractions…… 3rd January 2022

There have been many things to think about over the past few weeks that have distracted me from spending time in the studio, apart from the ‘mind fog’ generated by the circumstances that we live in at the moment. Still I will get down to some serious art in the next few days as I have three ideas mulling about in my head, I just need the space to try and sort them out.

I have however completed two books, both of which turned out how I had imagined them, they took a while to complete as they required several stages. Here they are, both are unique.

‘The Narrative of Fragments I’, is 11 x 74cm long, there are 60, 2cm Collagraph prints placed in two recesses and then red silk machine stitching between them.

Narrative of Fragments I
Narrative of Fragments I detail
Narrative of Fragments I detail

The second is ‘The Narrative of Fragments II’ and is 12.5 x 66cm, the background is a Collagraph print with 24 small prints of different sizes placed on top and silk hand made stitches.

Narrative of Fragments II
Narrative of Fragments II Detail
Narrative of Fragments II detail

If you are interested or would like further information on either of these books, which are £40 including P&P to the UK, please contact me, see top of home page.

May I wish all of you health and happiness for 2022, keep smiling and be kind to all who who come your way.

Embroidery, Printing, Uncategorized

A Mixed Bag – 6th December 2021

There has been too much weather around and it has influenced daily life and another week of rain is forecast.

Several years ago our son, as a student, went to India and he brought  back these bags for me, a lovely present. They are made from old silk saris with metal thread tambour work embroidery. I just adore the peacock, as shown above and which had been hidden in the folds of the gathered bag.

I had been thinking of undoing a couple of them and perhaps using them as book covers or something else. The snow gave me the opportunity to sit down and unpick them. It took ages, each of the four layers was machine stitched to another and the bags were constructed with French seams.

Now that they are undone, leaving me with some beautiful pieces of embroidered silk, I can ponder my next step, but at the moment I don’t know!

In my ‘Vulnerable to Alteration’ series I had considered C18th woven silk cloth, so I thought that I would turn my attention to the yards and yards of Dresden whitework, (so called as that is where high quality embroidery originated from), which adorned the dresses as cuffs and collar frills. This is fine whitework to cotton muslin which was worked both professionally and domestically throughout the C18. It comprised of satin stitch, pulled work and buttonhole stitches so creating flowing Rococo floral designs. The cotton muslin was imported from India.

I had a book design in mind from my experimental sessions a few weeks ago and I began to draw and plan a printing plate with lots of rubbing out.

The design is now complete and I will begin to construct the printing plate over the next few days.