Book Making, Embroidery, Printing, Uncategorized

Memory Cards – 16th May 2023

Again I have been concentrating upon an idea that has been rolling around for a while and was activated by the purchase of a loom punch card at the Antique Textile fair last month, see last blog.

Little bit of history to put it into context. In France in 1801, Jacquard had invented a card device to operate the warp threads on a loom in order to create a woven design.There were holes punched into them, allowing threads to be pulled up. Before it had been manually done by a Draw boy. These were cards sewn together to form a sort of concertina book. I had seen an original loom a few years ago in the Silk Museum in Lyons. In many ways this was the beginning of modern day computers, some of you may remember that in the 1970s and 80s computer cards were the basic method of inputing data. I remember them!

So research followed  and the first thing I learnt was that the loom cards come in all sorts of sizes, but I became interested in Memory cards for the computer, they are 32 x 24mm. This was also at a time when friends were saying that they couldn’t remember things!.

So I created a book full of memory cards, collagraph prints to that size placed into an embossed recess on the paper. I remembered that there had been a saying to tie a thread around your finger as something to jog your memory, so they were tied down with red silk thread.

The larger loom card that I have has also sparked off other ideas which are being experimented with between gardening, so whether its wet or dry I’m keeping busy.

Book Making, Embroidery, Printing, Uncategorized

A Different Perspective – 24th April 2023

Whilst the collaboration with Fiona Dempster in Australia, see here, is progressing well and providing much mental stimulus, I found that I had space between that and gardening to pursue an idea that had been lurking in the background.

I had written the title ‘A Different Perspective’ down in my notebook and challenged myself to create a book that fulfilled that idea.

I designed a plate inspired by a piece of damask silk, I then embossed it for the reverse side of the book.

 I then cut the plate into three, the central part remained with the straight edges and was printed to Somerset 250 gsm paper. The two outer strips were cut down to reveal decorated edges and were printed separately to painted tissue paper.

After drying and adhering the tissue to the paper the book was stitched together and the covers made.

The book offers many varied viewing opportunities as each surface has a contrasting decorative print element on it and can be rearranged to offer different perspectives.

Yesterday I visited the Antique Textile Fair in Manchester, its a favourite event which I had not been to for three years.

This is what I bought, from left to right.

Modern Jacquard Loom cards, I have an idea in mind for these, more in the future after I have explored further

Uzbek Camel or horse harness decorations, silk embroidery, linen and wool tassels and metal work tassel tops

Loom shuttle with gold coloured rayon thread.

Lots of research to be done and the lovely prospect of new work.

Book Making, General, Uncategorized

Book III – 10th April 2023

The exchange of our third book in the collaboration with Fiona Dempster, see here, has been simpler than the other books , as Fiona is currently in Scotland and we took this opportunity to post to each other.

My book is called

 “The Shape of Pamphlet Stitch”

I have felt that it is important to retain my style and integrity of inspiration during this collaboration. I have long worked with fragments of antique textiles and explored the tales that they have to tell. Much of the shaping of antique dress lies in the folding and stitching down of the fabric, perfect for concertina books!

Melding the sandy colours from Fiona and the indigo hues of my own I thought would be a problem for me. 

I left them scattered on my desk for a few days and gradually it all came together, the shades of my new antique Indian shawl and the blue skies outside the window, all came together to lead me forward. I gathered together suitable silk threads and I was inspired!  

 I folded Indian Cotton rag paper into seven sections, thus giving a central page. I embossed a recess into each page and then constructed, by layering several fine paper fragments, a small ‘book’, each secured by a Pamphlet Stitch binding. Several of the papers from Fiona had text on them, so I was meeting the brief, I am no Calligrapher!

The book is 42 x 10cm, Indian Cotton Rag paper, silk threads and miscellaneous hand painted papers.

Fiona’s book is a beautiful example of fragility concerning ideas that we can’t quite get a grip of. She will write about it in her blog.

As to other book and art work, well there has been a suspension, the weather has been good and Spring has arrived so I have been spending all my spare time in the garden, it has been lovely to be outside after a long and dismal winter.