Book Making, Embroidery, Printing, Uncategorized

Memory Cards – 16th May 2023

Again I have been concentrating upon an idea that has been rolling around for a while and was activated by the purchase of a loom punch card at the Antique Textile fair last month, see last blog.

Little bit of history to put it into context. In France in 1801, Jacquard had invented a card device to operate the warp threads on a loom in order to create a woven design.There were holes punched into them, allowing threads to be pulled up. Before it had been manually done by a Draw boy. These were cards sewn together to form a sort of concertina book. I had seen an original loom a few years ago in the Silk Museum in Lyons. In many ways this was the beginning of modern day computers, some of you may remember that in the 1970s and 80s computer cards were the basic method of inputing data. I remember them!

So research followed  and the first thing I learnt was that the loom cards come in all sorts of sizes, but I became interested in Memory cards for the computer, they are 32 x 24mm. This was also at a time when friends were saying that they couldn’t remember things!.

So I created a book full of memory cards, collagraph prints to that size placed into an embossed recess on the paper. I remembered that there had been a saying to tie a thread around your finger as something to jog your memory, so they were tied down with red silk thread.

The larger loom card that I have has also sparked off other ideas which are being experimented with between gardening, so whether its wet or dry I’m keeping busy.

Book Making, Embroidery, Printing, Uncategorized

A Different Perspective – 24th April 2023

Whilst the collaboration with Fiona Dempster in Australia, see here, is progressing well and providing much mental stimulus, I found that I had space between that and gardening to pursue an idea that had been lurking in the background.

I had written the title ‘A Different Perspective’ down in my notebook and challenged myself to create a book that fulfilled that idea.

I designed a plate inspired by a piece of damask silk, I then embossed it for the reverse side of the book.

 I then cut the plate into three, the central part remained with the straight edges and was printed to Somerset 250 gsm paper. The two outer strips were cut down to reveal decorated edges and were printed separately to painted tissue paper.

After drying and adhering the tissue to the paper the book was stitched together and the covers made.

The book offers many varied viewing opportunities as each surface has a contrasting decorative print element on it and can be rearranged to offer different perspectives.

Yesterday I visited the Antique Textile Fair in Manchester, its a favourite event which I had not been to for three years.

This is what I bought, from left to right.

Modern Jacquard Loom cards, I have an idea in mind for these, more in the future after I have explored further

Uzbek Camel or horse harness decorations, silk embroidery, linen and wool tassels and metal work tassel tops

Loom shuttle with gold coloured rayon thread.

Lots of research to be done and the lovely prospect of new work.

Book Making, General, Printing, Uncategorized

Not as Planned – 10th March 2023

These last few weeks have been somewhat unsettled, the weather has been somewhat dominant in our lives, snow and storms and my second book to Fiona has taken a month to get to Australia and somehow I couldn’t move on until that part of the project had been completed.

My second book, ‘The Shape of a Yard’ has arrived!

Collaboration seems to me to mean more than sharing pieces of paper and a title. Fiona and I both create Artists’ Books and print is a major method of expressing our ideas. 

There are other odd things that we have in common – several blogs ago there was a view of Fiona’s studio and there on her windowsill there were several old wooden yardsticks. I have one on my window sill, it was my fathers and his fathers before him. I had been contemplating using it as a form of design source for ages and my mind brought these together. 

That was the inspiration for this book. It came in a flash, but it looks ages to work it all out.

The book is made up of two pieces of back to back Somerset 250 gsm  paper, a recess embossed along the centre where I have placed, every inch a Silk French Knot and between the stitches there is a blind print, measuring two centimetres square. One side of the ruler has a print from Fiona’s braille paper and the other side a blind print from my bodice plate. Each 9” section has been hinged with red paper.  I made a shallow open box covered with painted papers with  the addition of calligraphy to the base and the title inside.

Book is 4cm x 91.5cm.

Here is Fiona’s second book, which I’m sure that she will cover fully in her blog. Her book was a joy to hold in the hand and to explore the text with the applied papers and cut out holes, not to mention her neatness and precision.

The Collaboration become more interesting after every delivery. Now I will turn my mind to the third book.