Book Making, General, Printing, Uncategorized

Making Progress – 4th December 2023

I’m pleased to say that I did make my postcards, it felt like a small positive creative move. I’m still engaged by the standard paper shapes that we have around us and in the small differences that each culture has. Something to develop further.



Over the years I have chanced across words that have lead me down a path into a new body of work.

Recently I have pursued the quote, “Vulnerable to Alteration” from the book ‘400 Years of Fashion’ from the V&A Museum, and here I am again following a similar train of thought.

For instance,

“Evidence of a thrifty use of a costly material” from ‘Cloth that Changed the World’

“The Alteration is a part of its history”  Kate Strachen

“None of the full sized dresses dating from 1750 to 1770, is in its original condition”, ‘400 Years of Fashion ‘V&A Museum.

Whilst these quotes appear similar to the original one that I honed in on, I find that I am of an age when ‘Adapt and Alter’ are crucial in order to lead a productive and creative life. Adapting to different circumstances does seem to come first and then there is the need to find a way to navigate forwards.

So I have ideas to pursue, ‘costly material’ could be translated into the printing plate, which has taken time to design and make, the ‘part of its history’ could relate to changes in design or to being cut up. The analogies could go on!

So within my creative project, I am looking for alterations in book designs and structures and how they change the books perspective, size and shape do matter!


I worked out this apparently simple book format, there wasn’t a back or a front, both sides had equal status, I adapted a printing plate to fit and printed onto grey and silver tissue paper, the pages are Hosho paper

Then I decided to alter the sizes and the type of paper, this book is made from Indian Cotton rag paper, Again I repurposed a printing plate.


And there is still one more to be made in a different size. But its far too cold to work in the studio! and I shall reveal that one next time!


Book Making, General, Printing, Uncategorized

Adapt and Alter – 30th October 2023

Lately life has been a bit complicated and not quite under my control, but that’s OK, however it has meant that time in the studio has been short and unpredictable. I have found that I have not been able to devote enough time and thought to a body of work, so I’ve been jumping around with all sorts of things. In many ways it has been quite liberating but now I find that I need to gather all those thoughts and experiments together and present myself with a rational plan about it all and where to go next.

There were ideas about prescribed stationery sizes that we all use and recognise, after my memory cards and loom cards, I have found myself drawn back to postcards and I have a set of those printed and not yet dry. More next time.

There were experiments using Hosho lightweight paper and coverless book formats.

Ideas around loose threads stitched into the antique textile fragments. Fragments always have interesting edges, they could be ripped, cut, worn out or have unpicked seams.

Old seams

Dart stitching

Two different weights of thread, mending, or an adaptation?

Many of my thoughts are moving towards adaptations of the past to meet the needs of the present. Whether it be darning a sleeve, shortening a hem, or creating postcards!

We all adapt and alter.

Book Making, Printing, Uncategorized

Book Five – 9th October 2023

The fifth book in the collaboration with Fiona Dempster has just taken place. There is one more when the books will be posted off early in January 2024

Within my bundles of papers from Fiona was a piece of card 25 x 30cm with bold calligraphy all over one side.

This book took a lot of thought and I wondered how I could use this piece of card, making use of its properties. Of course it came to me – I treated it as a piece of cloth, I folded, manipulated and cut the whole, just as we would for dressmaking, not a scrap was wasted! In the C17th and C18th, a length of cloth was called a piece, the yardage was variable and it was so expensive that every bit was used. It was also a time when sewing thread was not as strong as it is today and when gathering of the cloth was needed, small pleats were made and then oversewn to make it flat.

The card was divided into two, half for each of us, then folded into eight, laid flat, folded the other way so dividing it in two, top and bottom. Then I cut along this folded line leaving one section uncut and the concertina was folded into shape. I backed the card with painted tissue paper. It is a book format that I like, it achieves a long length and there is an opportunity for a flash of colour from the reverse.

The cover is a collagraph print with inserted text and the inside is calligraphy using the title words and silver pen.

The book is 4.5cm x 7cm and secured with red elastic.

Fiona’s book was stunning, she used the Indian cotton rag paper which I often choose to use and folded it to create ripples extending out from a single pebble in the centre. She will be writing more about her book in the future.

I have found lots of joy in the collaboration, so often we are thinking similar thoughts about construction, ideas and about materials and also the huge distance between us provides a different understanding of community.